Postmodern despair
I haven’t been myself lately. I haven’t been reading or writing as much as I usually do, and instead I’ve been playing more computer games and enjoying many more adult beverages. As is to be expected, I think that my friends have noticed the change more than I – I’ve gotten used to hearing Robert and Tony ask, “So how are you doing?” It would be a silly question to ask a person who’s wrestling with inner demons, since they are probably the least likely to really know how they are doing, if it weren’t for the fact that it shows such love.
It has taken me a while to figure out what’s going on, but I think I have a handle on it now. I’ve been going through what I like to call postmodern despair: the overwhelming feeling of sadness, confusion, and hopelessness that occurs when you realize that all of your existing “grand stories” have cracked, and that your efforts to shore them up are futile, and that no others would fare any better as replacements. It is not a good feeling. The good news is that I’ve begun coming out of it and am feeling better, even though I acknowledge that I’m not totally out of the woods yet. So, I think it will be therapeutic for me (and hopefully interesting to you) to write about this in some depth.
One of my favorite philosophers is Jean-François Lyotard, and the only thing more amazing than his Introduction to The Postmodern Condition: A Report on Knowledge is the fact that no two people understand it alike. In it, Lyotard situates the contemporary search for truth and justice, in the forms of science and the social bond, within the context of a crisis of narratives. Basically, he says that we used to have a bunch of narratives, such as “the dialectics of Spirit, the hermeneutics of meaning, the emancipation of the rational or working subject, or the creation of wealth”, which legitimated the search for truth and justice and provided the criteria for judging them. These narratives have now cracked – we just don’t believe them anymore and we are skeptical that any other story is ever going to succeed where they failed. We no longer know why we should care about truth and justice or how to achieve them.
This is exactly how I’ve been feeling of late. All the stories that I tell myself to legitimate the life that I live and that supply criteria for making decisions have cracked. I’m skeptical of them and all other stories; I’m skeptical through-and-through. Worse than this, I despair because these stories were foundational to my identity. Who am I? What gives my life meaning? What do you do when your identity is bound up in a label like ‘Christian’ and then you begin to discover that that label doesn’t always stick so well?
Let’s go back to Lyotard for a moment before I answer that question. Paradoxically, the skepticism he described was, for him, both the cause of scientific progress and its result. Cutting science free from its service to a singular narrative ended up being a boon; we no longer have a singular answer to the questions of “Why do we do science?” and “How do we evaluate truth?”, but science continues and even flourishes. Lyotard finally poses “the question”: “is a legitimation of the social bond, a just society, feasible in terms of a paradox analogous to that of scientific activity? What would such a paradox be?” In other words, might the narrative crisis be good for justice too – and if so, how?
And this is where things start looking up (after purgation comes illumination). Maybe an analogous paradox exists for faith as well. If faith has a point it’s because it has an object: something it’s driving at. Whether you call that love, relationships, justice, hope, or good works, perhaps not having a singular answer to questions about why we believe or what we believe could be a boon for faith’s object. Maybe we love better when we don’t know why we’re loving. Maybe we are more just when we don’t have absolute rules of justice. If the longing for truth and justice has been placed in the human heart, perhaps we endanger the purity of these passions when we attempt to legitimate them through narrative.
After analyzing his Introduction to The Postmodern Condition: A Report on Knowledge (and we could analyze the whole thing, but I find that he summarizes the whole work quite nicely up front) I’m starting to believe that Lyotard does not get enough credit as a realist (in the common use of the term). He didn’t let the narrative crisis that he saw overwhelm or scare him. Since he thought that scientific progress was obvious in spite of the crisis he was content to simply label this a paradox and explore its implications. Now I’m finding that I share this realism… and this is breaking my gloom.